Following her long list of Magazine covers and editorials in January, Margot will be the cover girl of ELLE Magazine‘s February issue! We now have the first parts of her interview, her cover + photoshoot outtakes, and they are GORGEOUS. This is one of my new favorite Margot photoshoots, and we’re very lucky to have them in beautiful high quality already. You can read her interview below, and I’ve posted the links to the gallery albums at the bottom of the post. Enjoy this stunning new additions, and keep checking back for more. We’ll hopefully have more outtakes from this photoshoot soon.
Elle | Margot Robbie is, yes, a knockout. But like the women she’s portrayed in her decade-long career—a trophy wife on a mission in The Wolf of Wall Street; a balls-to-the-wall war reporter in Whiskey Tango Foxtrot; the feisty, feminist Jane in The Legend of Tarzan; and, of course, Suicide Squad’s lovable lunatic criminal, Harley Quinn—the Aussie stunner is so much more than an ingenue. Below, find a preview of Robbie’s February cover interview with her I, Tonya co-star, Allison Janney, where she discusses her future as a director, the highlight of her career and what it was like playing Tonya Harding:
On fear of playing a real-life character: “…playing Tonya [Harding], who’s very much alive and is widely documented, can be more intimidating.”
On directing: “I still love acting. But I’ve spent the last 10 years on a film set, and I realized that if I am pouring my heart and soul into a film, I want to be one of those voices in the conversation making decisions.”
On the first highlight of her career: “When I got to New York for the first time, I took my first paycheck, walked straight into Tiffany’s on Fifth Avenue, and bought an airplane charm that goes on my bracelet. It was the best feeling ever. I got my little blue box, and I got it for myself.”
On which skill she wants to master: “I recently bought fire-twirling poles, because I really want to get good at it. When I was backpacking in the Philippines, there were heaps of fire twirlers on the beach, and it was so cool. I was like, Wow, I really want to do that!”
Hair by Renato Campora at the Wall Group; makeup by Pati Dubroff at Forward Artists; manicure by Alexandra Jachno; set design by Bryan Porter for Owl and the Elephant; produced by Nathalie Akiya at Kranky Produktions; fashion assistants: Yashua Simmons and Mark-Paul Barro
This article originally appears in the February 2018 issue of ELLE.